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How has Sephardic singing fared with assimilation into American culture?

Eva Broman found this delightful article and posted to the Jewish-Music mailing list:

Seven Songs, Seven Identities: Bridging the Past and the Future, by Dr. Jane Mushabac, from Sephardic Horizons

"... Singing in traditional societies was very different. A traditional home was directly enlivened by song. Sephardic women sang regularly while busy with tasks and in social gatherings; their songs were full of pleasure, angst, bitterness, joy, and sexual innuendo. Men's singing was liturgical. At home and in synagogue, men's prayers and blessings celebrated Jewish history and coherence. For both women and men, singing was both easy and habitual, and physical and intense.… [more]