Review | Personnel | Songlist/sound samples | View/add comments to this review
For more information: About Yid Vicious www.uvulittle.com/YidVicious/ Uvulittle's web page for this album with other reviews and info about the album For general information and booking: Madison, WI, is also home to "Jewbacca," about which these pages know nothing other than the name, and "Shira," a jazz-oriented band, whose "Soaked and Salted" CD was reviewed in 1995. |
For a couple of years now there has been a steady stream mentioning a mid-west klezmer band with a punk title and solid, traditional klezmer credentials. The band is Yid Vicious, and this album is better than solid. It dances and achives, maybe, some of that brass-propelled klezmer freilach sound that revival pioneers, The Klezmorim, sought oh so many years ago. This is a solid instrumental album, the likes of which no one else has been able to make this good, and make it stick. No vocals here. No traditional or new Yiddish songs. One sephardic instrumental ("Por Que Llorax La Blanca Ninña"). Damn fine clarinet. Add powerful, soulful horns (Bob Jacobson's euphonium, flugabone (flugabone?), and accordion) driving the rhythm. Add in trumpet, guitars, bass, drums, and a violin that is very good, but perhaps needs a session at klezcamp to learn the difference between playing klezmer and playing celtic (okay, one minor flaw), and you have the best klezmer dance band of the season. But, wait, there's more. Special mention needs to be made of the album cover, which is visual delight, wonderful song titles, and finally, I gratefully acknowledge this album as the official, "Cross-country drive, 1998" klezmer album, thanks to a rough mix CD that Bob Jacobson provided on an accident-ridden, otherwise sunny afternoon, when I pulled into Madison to catch the gang live. I can testify that the album not only sounds great under reasonable circumstances, but that even the rough mix makes the miles go much faster whilst driving a noisy truck cross country. But don't believe me. If you aren't hooked by the time the band starts playing the tumultuous, celebratory closing medly, "Anarchy in the Ukraine," it can only be because you blew out the speakers on your stereo, having turned the music louder and louder and dancing (preferably with lots of people, but my partner and I have also, uh, never mind. At least one friend or partner) until the music blows your socks off. I already said it. Best klezmer dance music of the season. Even works well whilst driving a truck. Enjoy! Reviewed by Ari Davidow, 10/25/98 View/add comments to this review Personnel this recording:
|