Like me, did you find 2012's debut Alpen Klezmer CD the most fun you'd heard in European klezmer in ages? A sort of marriage between Bavarian dance music and klezmer featuring vocalist Andrea Pancur and accordionist Ilya Shneyveys, it rocked (and still does). A host of klezmer veterans joined that effort (and are lined up for the new one) ranging from Lorin Sklamberg to Alan Bern, Joel Rubin, etc., etc., etc. If so, you're going to want to join me in helping the band record their new CD:
You have nothing to lose but ennui, boredom, and anomie. This is klezmer that rocks!
Here's what Andrea sent me:
Liebe Freunde und Freundinnen der handgemachten Musik,
es ist wieder so weit: ich bringe eine neue CD heraus. Und weil das alles immer so unsagbar viel kostet, nutze ich die Möglichkeit des Crowdfunding, was auf deutsch auch sehr hübsch klingt, nämlich „Schwarmfinanzierung".
Was passiert da genau? Ihr könnt diesem Link folgen, und dann vorab eine CD und viele andere ganz tolle Dinge bestellen, u.a. ein von Grammy-Gewinner und begnadetem Koch Lorin Sklamberg zusammengestelltes und gekochtes Abendessen oder eine Unterrichtsstunde bei musikalischem Mastermind Alan Bern höchstpersönlich. Schaut einfach auf die Seite, sucht euch das Passende aus und sehr gerne könnt ihr auch vielen, vielen anderen Menschen von ALPEN KLEZMER: ZUM MEER! erzählen.
Ich kann euch versprechen, ihr werdet es nicht bereuen, denn auf der CD versammeln sich wieder die musikalischen Meister der Klezmerwelt mit den Meistern der bayrischen Musikwelt und spielen Musik, die unter die Haut geht und die Füße zucken läßt: Alpen Klezmer vom Feinsten!
Hier nochmal der Link: igg.me/at/ZumMeerHerzlichen Dank für eure Unterstützung! Andrea
The Les Haïm Company, from Paris, in association with Footsteps, the New Yiddish Rep and the Workmen's Circle announces his summer theater workshop/performance experience Artistic Laboratory of Research and Creation towards an experimental theater between ultraorthodox and secular worlds is Looking for OTD (off the derech) artists ! From June 15 to July 10 in NYC
No prior experience or artistic background necessary, but a deep desire for learning, creating and immersing yourself into an artistic adventure.
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The Yiddish Book Center's annual program has gradually become a sort of "Eastern European Jewish Music AllStars" program, with lectures, workshops on dance and playing music and singing, as well as a host of great concerts. You won't actually hear much "new Yiddish music," but you will hear an awful lot of the best, performed by the best veterans around. This year, the UK's Polina and Merlin Shepherd are brought into the mix, which means even more great music. Paul Shapiro will bring back his delightful "Brisket 'n' Ribs Revue," one of my favorite excursions into the delightful world of Jewish/Black lyrics and music from the earlier part of the last century. Essen! It will all end in a mammoth AllStars concert honoring Shalom Aleichem's 100th yahrzeit.
Yidstock 2016: The Festival of New Yiddish Music, Thu July 14, 2016 - Sun July 17, 2016
YIDSTOCK 2016 will bring the best in klezmer and new Yiddish music to the stage at the Yiddish Book Center in Amherst, Massachusetts. Don't miss out on what promises to be a great festival of music and related events.
Festival info from the Yiddish Book Center website
Send by the Boston Jewish Arts Collaborative during Passover, I am just catching up. This features the BatSheva Dance Troupe and Tractor's Revenge, and is a very neat visual take on the familiar Passover melody
Posted by Eva Broman to the Jewish Music mailing list:
t's been a long time since I posted the last time, but I really enjoyed these clips with Iraqi-Jewish singer Koko from Eilat, performing Iraqi classics at an Israeli haflah:
These "ethnic" Israeli singers remind me of Pontic singers in Greece, who often adapt original Turkish and Balkan songs in the Pontiac dialect, just like Israeli singers of Iraqi etc. descent adapt Arabic tunes in Hebrew:
From Michael Winograd, best known for the Yiddish Art Trio and other klezmer/yiddish masterworks. His other band is also receiving recognition. After watching Southeast Asians and others dancing in the aisles at the Vilna Shul, I can heartily recommend them. Some bits will sound more familiar than you expect:
Sandaraa is pleased to release the first single from our upcoming album, "Jegi Jegi Lailajan". US CD launch tour dates: /bit.ly/sandaraatour
Wish I'd spotted this yesterday—thanks to Sarah Gordon for sharing from the Yiddishkayt folks in LA:
It's the First of May! Come celebrate International Workers Day with our top 10 musical hits of the Jewish working masses from Morris Rosenfeld's Resting Place to classic Anarchist anthems. Share with all of your comrades for the arbeter-yontef! Zol lebn der ershter may! Long Live the First of May!
#WorkersDay #MayDay #ArbeterFunAleLender
Yosl Kurland writes:
A few of weeks ago I wrote to tell you about the Mak'hela concert at Keene, NH where my choral work, "Vezokharto&emdash;Remember that You Were Slaves in Egypt" was performed. The piece is now on youtube at this link:
Vezokharto is based on a prophetic call in the Torah for social justice. It carries a message that needs to be heard and I would appreciate your help in spreading it. Please share this link with people you know by email and by social media. If you know of any chorus that would like to perform it, please have them contact me and I will arrange for them to get the score.
The most frequently requested out of print music book has to be Pete Rushefsky's "Essentials of Klezmer Banjo." It's still essential, and Pete has graciously scanned it and made it available for free download as a PDF. Now available.
One of my favorite all-time recordings comes from the classic Austin Klezmorim album, East of Odessa. With the permission of the band's leader, Bill Averbach, I reprise an mp3 of their classic retelling of the story of Purim in jazz argot, "The Big Megillah." Enjoy.
Few bands have pushed the boundary of Jewish music as hard as Jeremy Lockwood and The Sway Machinery. 2011's The House of Friendly Ghosts was a collaboration between the band and North African Rai singer Khaira Arby. The opening horns in this new release, Purity and Danger reflect that collaboration, still. The album also reflects Lockwood's background as a street blues musician ("My dead lover's wedding," with its echoes of "St. James Infirmary" or the Hound Dog Taylor-inspired distorted guitar meeting North African music and jazz in "Longa"), and the cantorial legacy of his grandfather (including very new settings to Cantorial gems ranging from Ben Zion Kapov-Kagan's "Rachamana D'Onay" and Leib Glantz's "Al Tashlicheini." This is fertile territory, and at its best, this is a fusion as astonishing as the discovery of how well Arabic music fits piyyut 1500 years ago. Available as CD or digital download from 3rd generation recordings.
Want another view? Check out Adam Kivel's review on the "Consequences of Sound" website: The Sway Machinery - Purity and Danger
I should also mention that The Sway Machinery has a new cassette EP coming out. Those interested, should check out on 3rd Generation Recordings website.
It's the end of the year. It's smack in the middle of Yiddish New York. Time to catch up on some vital recordings that speak to that "new Yiddish culture."
For years, a select few of us have enjoyed the voice that reminds us most of a reincarnated Molly Picon. Now, Miryem-Khaye, whose voice has matured and taken on a strength all its own, has released a debut CD, Toyznt Tamen (a thousand flavors), celebrating Yiddish, theatre, and great Yiddish song. Joined by a stellar backup crew including Alicia Svigals, Carmen Staff, and the Yiddish Art Trio (Michael Winograd, Patrick Farrell, and Benjy Fox-Rosen), this recording is a delight—listening to Seigal let loose on the opening "New York, New York," a paean to NY yiddishkeit, quietly meditative on "Shteyner," or her and Fox-Rosen playing off each others voices in "Gikher, shvester" marks what a special recording this is. I also treasure the large number of songs written by Seigel, or gathered by her (although, in fairness, some songs also remind me of blues songs attributions: familiar as well as original verses pulled together in a new cohesive whole and credited to an author well-steeped in a deep folk tradition), as well as a fair sampler of traditional tunes. Get a copy of this one for the Yiddish (or yiddishkeit) lover in your household who loves tradition. Get your CD or download from bandcamp.
Have me mentioned that Yiddish New York event is taking place right now!? You can find out more at yiddishnewyork.org
Working To 'Construct' A 'New Yiddish Culture': Josh Waletzky is creating a new festival to celebrate a culture in the making., by Sandee Brawarsky, 15-Dec-2015
Q.: What the genesis of the idea for Yiddish New York?
A: It grew out of some discussions taking place informally among some artists who are veterans of the klezmer revival camp scene, the granddaddy being KlezKamp. There's a year-round rotation of festivals that include workshops, lectures, special events, concerts dedicated to Yiddish culture. KlezKamp, which ended its run after 30 very productive years, was on a number of people's minds. Last winter was its last session, and a number people were saying there would be a hole in the calendar. New York, which was the home base of KlezKamp (even though it was held an hour north of the city in the Catskills) is for all intents and purposes the world capital of Yiddish culture, both historically and in the concentration of individuals and institutions active in that scene. We couldn't just leave this hole in the schedule and not have New York represented, with all the world-class people actively engaged in creating Yiddish culture here. So we proceeded in tasking certain individuals in areas of their expertise and experience, like trumpeter, bandleader and composer Frank London, who has been the artistic director of KlezKanada for some time. We're had an embarrassment of riches putting together the faculty. [more]
Yeah, you would expect the KlezmerShack to have already done this, but, as usual, Bert Stratton has scooped us:
My desk is piled high with free CDs: Ezekiel's Wheels, Golem, Vulfpeck, Winograd, all kinds of Dutch and Polish bands, and the old standbys like Klezmer Conservatory Band and the Klezmatics.... [more]
Just a few days behind on this one:
I am writing to let you know that we have a new video for our song "Avre Los Ojos". It was shot live off the floor in studio, and I am really proud of how this video captures the dynamic range and electrifying improvisations that Jaffa Road brings to concert stages.
The song sings the pain felt by parents as they watch their children go to "Asker" - conscription into the army of the Ottoman Empire in the 19th and 20th centuries.>
Posted by Benjamin Laden on Facebook. As he says, big hats ... and a big sound
Jewlia Eisenberg shared these on Facebook. These were recorded in 2011 with Charming Hostess, then in 2015 with Book of J (Jewlia, Cynthia Taylor, and Jeremiah Lockwood)
This is the best reason to spend the end of December in NYC, EVER
Yiddish New York
Thursday, December 24 - Tuesday, December 29, 2015
Yiddish New York (YNY) is a new festival/cultural immersion gathering for Yiddish music, language and culture combining workshops, lectures and performances from Thursday, December 24 - Tuesday, December 29, 2015. With its hub at the 14th St. Y and adjacent Town and Village Synagogue, Yiddish New York will take place at a variety of venues in Manhattan's vibrant and historic Lower East Side/East Village. Faculty/speakers represent many of the leading figures in Yiddish culture today. Open to individuals of all ages, backgrounds and families with children!
Daily Programs in.... Klezmer Music - Yiddish Song - Yiddish Dance - Theater - Yiddish Language - Yiddish Culture and History - Visual Arts - Foodways - Master Classes - Ensembles - Dance Parties - Jam Sessions - Concerts - Lectures - Films - Spirituality and Religion - Neighborhood Walking Tours - Youth and Teen Programs - and More!
CLICK HERE FOR INFORMATION ABOUT REGISTERING!
"In the world of klezmer music, Alicia Svigals is a household name. Ever since her band The Klezmatics came on the scene in 1986 with its unique take on traditional klezmer music (she remained a member until 2002), Alicia has been the go-to person for klezmer fiddle."
Alicia Svigals: A New Role, by Matt Merta, Fiddler Magazine, 2015-11-20
Here is a neat project from Eléonore Biezunski in Paris:
"Yerushe" is Yiddish for "heritage" or "inheritance". The musical project originates from our discovery of repertoire of little known Yiddish songs and Klezmer music in the folklore archives (Ruth Rubin, Moshe Beregovski, Zusman Kisselgof). Each of these songs is a short story in a great history of lived experiences, of battles fought, of hopes for the future. The album will be published under the prestigious label of the Institut Européen des Musiques Juives (European Institute for Jewish Music), but we still need to produce the audio master.
Check Yerushe: Watch, listen, read about the project by following this THIS LINK.
How can you help? Contribute to our crowdfunding campaign on Indiegogo until December 11, 2015. Tell you friends: share the link, forward this project.
A bit overblown and symphonic? Putting a suit on the blues? From Binyumen Schaechter
Performed by The Jewish People's Philharmonic Chorus, Binyumen Schaechter, Conductor and Temma Schaechter, Soloist
How shameless you are Sonye.
Are you afraid of people?
Come out Sonyetchke
We will see each other from a distance.
This week … a humorous Russian/Yiddish song performed by Feigl Yudin, with commentary by Itzik Gottesman. Now at Center for Traditional Music and Dance's Yiddish Song of the Week:
A program of CTMD's An-sky Institute for Jewish Culture
Here's a new one from Mike Regenstreif
The Happy Prince is my favourite album of Jewish music for 2015Nov 28, 2015 by Mike Regenstreifproduct
About six decades after the release of Jewish Freilach Songs, some of today's most accomplished klezmer musicians - including Michael Alpert, Daniel Kahn, Bob Cohen (not to be confused with Bob Cohen, the Canadian guitarist), Psoy Korolenko, Jake Shulman-Ment and Hampus Melin—gathered as The Brothers Nazaroff to record The Happy Prince, a joyous tribute album to Nazaroff. [review continues on Mike's blog]
Get your copy/download of the CD from Smithsonian Folkways, or wherever fine music is purveyed.
It's almost Khannike. I'm trying to get reviews of several new recordings online. Time. Girls in Trouble were here just a couple of weeks ago, so with that pleasure fresh in my mind, let me at least get some information about this recording online.
Stories about women from the Bible, from Vashti and Sarah to the Daughters of Tzelofchad, set to excellent AmericanaNov 29, 2015 by Ari Davidowproduct
"Girls in Trouble" began life as a thesis project at JTA. Poet/musician Alicia Jo Rabins was stuck, and her advisor suggested that a song cycle would be an appropriate substitute for a paper. The first collection was stunning. It was released two kids (?) and six years ago, and introduced songs about several known and less-known women from the TaNaKh. Musically, the songs are wide-ranging "Americana." Three collections in, I find myself listening and relistening. The stories and music resonate. Some, such as a new song about Sarah, focusing on Isaac's near sacrifice, make the incident personal in a way that Bible class never did. Vashti's story, "I'm Done Dressing Up" is perfect bluegrass, and highlights what we all think every Purim. Others are more obscure, as in "New Arithmetic," about the Daughters of Tzelofchad—a story from the Talmud in which women demanded the right to portions in the Land of Israel. For those, I visit the Jewish Women's Encyclopedia at the Jewish Women's Archive to get the whole story. Rabins is a treasure, musically and poetically, and for giving us reason to dig into the TaNaKh. To get your own copy, check out Bandcamp.0.3
I am so proud to have helped this project, and hope to be there in December
We are very excited to announce the fourth annual Adrienne Cooper Dreaming in Yiddish Legacy Concert taking place on December 26, 2015. Save the date! Be there!
The event will take place at the Museum of Jewish Heritage, hosted by Folksbiene National Yiddish Theater in partnership with YIVO Institute for Jewish Research, keepers of the Adrienne Cooper Archives, GOH Productions, and presented in association with Yiddish New York's inaugural year.
We invite you to join us as we celebrate the life, work and influence of Adrienne, Yiddish singer, scholar, teacher, educator/activist, Executive Director of Programming at the Workmen's Circle, and former Assistant Director at YIVO. Beloved stars of the klezmer and Yiddish world will present an evening of music from In Love and In Struggle: The Musical Legacy of the Jewish Labor Bund (YIVO, 1999), an album that features Adrienne and was reflective of her passion for social justice and Yiddish. This inspired musical choice came out of the Cooper Archives and is a direct result of your support for the Adrienne Cooper Fund for Dreaming in Yiddish. We thank you.
The recipient of this year's Adrienne Cooper Dreaming in Yiddish Award goes to the wild, wonderful Canadian artist, Josh Dolgin aka Socalled, for his work as a klezmer/hip-hop artist, composer, record producer, puppeteer and multi-facetted, kind, inclusive, creative genius always pushing the edges of possibility.
The Adrienne Cooper Fund for Dreaming in Yiddish is appealing to YOU anew to help us raise the resources needed to produce this award and concert event. Please donate generously. And quickly! Please help!
We must raise $6,000 by December 13 (last candle of Chanukah). Spread the light!
All proceeds go to the Adrienne Cooper Fund for Dreaming in Yiddish, which supports artists as they embark on the timeless, boundless, utterly unexpected adventure of working in Yiddish.
Please send your contribution today. Donations can also be made by check payable to GOH Productions, earmarked AC DIY/Artist Award and mailed to: GOH Productions /Seven Loaves Inc., 239 E. 5th St. Suite 1D, New York, NY 10003-8544.
Do not hesitate to contact us with any questions or concerns.
Sholem, sholem, sholem. A hartsikn dank.
Marsha Gildin, ACDIY Development Committee & Bonnie Stein, GOH Productions
Catching up on last week's news from Alan Bern:
After five years of email correspondence with our publisher and slowdown tactics that would astonish a turtle, I'm happy and relieved to say that the three Brave Old World albums on the Pinorrekk label - Beyond the Pale, Blood Oranges and Bless the Fire—are finally available on iTunes to download. To all Brave Old World fans who don't know this music, or who acquired it through somewhat dubious means (ahem...), this is your chance to download groundbreaking, beautiful music. Please share this post, thanks!
The Boston Jewish Film Festival is one of the places where I get to explore an always mind-blowing array of Jewish experience and history. I look forward to it each year. This year is light on the music films, but breadth is traded for depth—a very special music about Iraqi Jewish music plays this coming Saturday night in Boston, at the MFA.
Tix and more info at: www.mfa.org/programs/film/on-the-banks-of-the-tigris. While you're there, check out other films playing between now and the 16th. What I've seen so far has been inspiring and wonderful. You are sure to find even more to tickle your fancy and help keep an important local Jewish institution thriving.
From Brian Bender:
It is with a heavy heart that I want to announce the passing of one of my closest friends and favorite musical collaborators, David Tasgal. David was killed in a bicycle accident this past Monday near his home in Greenfield, MA.
David was a brilliant musician (clarinet, violin, cello, piano) and composer. He was a kind, generous and creative teacher of many, many students over a long teaching career. He led and composed for numerous youth orchestras, and published a very innovative series of string method books.
David was just beginning one of the happiest periods of his life. He was married to Faith Ann Kaufman a little over a year ago. Faith's son Jake was starting to really bond with David. I can't help feeling that all three of them were robbed of many beautiful years together as a family.
I had the pleasure of playing with David for the past 15 years in the Wholesale Klezmer Band, as well as for the past 4-5 years in the Yiddishkeit Klezmer Ensemble with my wife Anna Sobel.
David and I had an incredible rapport with each other both as friends and as bandmates. We knew each other's repertoire (and original compositions) inside and out, and we could play for many hours together without reading a note of music. I view playing music as entering a sacred space, and I shared that space with David more than any other musician, especially during the last 5-6 years.
My last memory of David is the weekend we spent together (with my family) just over a week ago traveling to Bristol, VT, where our klezmer trio performed a concert/dance at a Sukkot festival. It was one of our best shows ever, and we had a great time simply enjoying each other's company.
I sat down to play the piano last night and I could swear that David was there with me! Then the tears flowed.
Just in time for Rosh Hashana, Michael Regenstreif reviews three significant and refreshing new Jewish music recordings for the Ottawa Jewish Bulletin