New reviews by Michael Regenstreif
Jewish-Music mailing list regular Mike Regenstreif has begun writing reviews of new Jewish music for the Ottawa Jewish Bulletin. He has graciously begun sending the columns to the KlezmerShack for publication online here.
In his first reviews, published last month right after the most musically diverse Ashkenaz Festival yet, he covers a couple of artists about whom I know nothing, and a couple that have been very high on the "get a review onto the KlezmerShack soon" list. Not a bad way to start:
Bassist Jim Guttman has been the rock holding Boston's own Klezmer Conservatory Band together since the band's formation these many decades ago. It's taken him a long time to release a CD under his own name, and we've put up with it because his "day band," is, after all, pretty spectacular. This CD, he says, is the one he's longed to create for years, and Mike discusses what makes Bessarabian Breakdown.
Mike notes the Ashkenaz Festival debut by the Red Hot Chachkas with admiration—and well he should. I was sitting with Philadelphia drummer Elaine Hoffman Watts while they were doing their set, and Elaine was pretty admiring, herself. I've reviewed previous CDs with great pleasure. Their newest, Beats without Borders deserves everything nice that he says about it.
I've never heard of jazzman Benny Sharoni until I read Mike's review of Eternal Elixir. I would be very surprised if jazz fans don't really enjoy what they hear when they check out the bebop and ballads on the new CD.